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"I am so glad you are poor," says Mona. "If you were rich or even well off, I should never consent,—never!",

Springing up on it, she selects a certain panel, and, laying one hand on it as if to make sure it is the one she wants, counts carefully six more from it to the next wall, and three from it to the floor. I think I have described these panels before as being one foot broad and two feet long.,

"Then you didn't go out much in Ireland?" she says, thinking it more graceful to change the conversation at this point.,

Wherever Mā-mĭn´ went her mother or some woman of the family went with her, so Red Robe could never speak to her, but he was often near by. One day, when she was gathering wood for the lodge, and her companion was out of sight behind some willow bushes some distance away, Red Robe had a chance to tell Mā-mĭn´ what was in his heart. He walked up to her and took her hands in his, and she did not try to draw them away. He said to her, "I love you; I cannot remember a time when I saw you that my heart did not beat faster. I am poor, very poor, and it is useless to ask your father to let me marry you, for he will not consent; but there is another way, and if you love me, you will do what I ask. Let us go from here—far away. We will find some tribe that will be kind to us, and even if we fail in that we can live in some way. Now, if you love me, and I hope you do, you will come."

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"It is true," puts in Mona. "How could he tell when the coast was clear for his escape, unless he took a little peep?",

For him—strange as it may seem—she had ever but little love. But when he married, and George, the eldest boy, was given into her arms, and as he grew and developed and showed himself day by day to be the very prototype of his grandsire, she "took to him," as the servants said, and clung to him—and afterwards to his memory—until her dying day.,

Over the meadows and into the wood goes Mona, to where a streamlet runs, that is her special joy,—being of the garrulous and babbling order, which is, perhaps, the nearest approach to divine music that nature can make. But to-day the stream is swollen, is enlarged beyond all recognition, and, being filled with pride at its own promotion, has forgotten its little loving song, and is rushing onward with a passionate roar to the ocean.,

"She has got one nose and two eyes, just like every one else," says Nolly. "That is rather disappointing, is it not? And she attitudinizes a good deal. Sometimes she reclines full length upon the grass, with her bony elbow well squared and her chin buried in her palm. Sometimes she stands beside a sundial, with her head to one side, and a carefully educated and very much superannuated peacock beside her. But I dare say she will do the greyhound pose to-day. In summer she goes abroad with a huge wooden fan with which she kills the bumble-bee as it floats by her. And she gowns herself in colors that make one's teeth on edge. I am sure it is her one lifelong regret that she must clothe herself at all, as she has dreams of savage nakedness and a liberal use of the fetching woad."